![]() “It’s really nuts,” said a second animator. ![]() Obviously, this leads to a lot more work for the animators. However, when it comes to the Spider-Verse at least, Lord is reported to have struggled to conceptualize 3D sequences during the early planning stages, preferring to edit fully rendered work instead. Lord and Miller are renowned in the world of animation for their box office hits, including Cloudy with a Chance of Meatballs and The LEGO Movie. His longtime partner Miller was said to be absent for much of the production. Everything was just endlessly moving beneath our feet because they wanted it to be the best that it could be.”Īccording the animators, Dos Santos, Thompson, and Powers were “overshadowed” by Lord who sought final approval on every sequence in the movie. ![]() With Phil Lord, nothing is ever final or approved. So, there were constant changes and cuts. “They are obviously in charge of directing, but if Phil has a note that contradicts their note, his note takes precedence. “As producer, Phil overrides all the directors,” said one animator. Thompson, and Kemp Powers declined to comment). These issues, it’s claimed, stem from writer/producer Phil Lord’s management style (Vulture reports that, through Sony, Lord, co-writer/producer Chris Miller, and directors Joaquim Dos Santos, Justin K. ![]() In a new report from Vulture, four animators who left the project described particularly difficult working conditions on the project, with numerous revisions as well as 11-hour days, seven days a week. ![]()
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